Library Catalog
On the Shelf at CCBC Libraries
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Sounds and Sweet Airs by Sounds and Sweet Airs- the Forgotten Women of Classical Music reveals the hidden stories of eight remarkable composers, taking the reader on a journey from seventeenth-century Medici Florence to London in the Blitz. Revealing not just the lives and works of eight exceptional artists, historian Anna Beer also asks tough questions about the silencing of their legacy, which continues to this day. Why do we still not hear masterpieces such as Hensel's piano work 'The Year', Caccini's arias and Boulanger's setting of Psalm 130? A long- overdue celebration of neglected virtuosos, Sounds and Sweet Airs presents a complex and inspirational picture of artistic endeavour and achievement that deserves to be part of our cultural heritage. The featured composers are Francesca Caccini, Barbara Strozzi, Elisabeth Jacquet de la Guerre, Marianna Martines, Fanny Hensel (nee Mendelssohn), Clara Schumann, Lili Boulanger and Elizabeth Maconchy.Call Number: ML390 .S686 2016 -
Women, Art and the New Deal by In 1935, the United States Congress began employing large numbers of American artists through the Works Progress Administration--fiction writers, photographers, poster artists, dramatists, painters, sculptors, muralists, wood carvers, composers and choreographers, as well as journalists, historians and researchers. Secretary of Commerce and supervisor of the WPA Harry Hopkins hailed it a "renascence of the arts, if we can call it a rebirth when it has no precedent in our history." Women were eminently involved, creating a wide variety of art and craft, interweaving their own stories with those of other women whose lives might not otherwise have received attention. This book surveys the thousands of women artists who worked for the U.S. government, the historical and social worlds they described and the collaborative depiction of womanhood they created at a pivotal moment in American history.Call Number: NX164.W65 A33 2016 -
The Dinner Party by The official publication celebrating Judy Chicago's feminist art masterpiece, The Dinner Party installation at the Brooklyn Museum, and an introduction to outstanding women in history. nbsp; Judy Chicago's The Dinner Party is a defining work of feminist and contemporary art that brought women's history to light on the national stage when it was completed in 1979. Published to coincide with Chicago's 75th birthday and a nationwide series of events and exhibitions, the book features newly commissioned photography and two new essays by Chicago, along with essays by art historian Frances Borzello and historian Jane Gerhard, and a foreword from museum director Arnold Lehman. nbsp; The Dinner Party, a monumental triangular table, and the Heritage Floor on which the table rests, represents 1,038 women in history--39 by unique large ceramic plates and runners with another 999 names inscribed on the floor's ceramic tiles. It has been seen by more than a million visitors during its international exhibition tour, and has been a principal destination at the Brooklyn Museum since its permanent housing in 2007. A perfect companion to a revolutionary artwork, the book is a must-have for both long-standing fans of Judy Chicago's oeuvre and young artists and women looking for reflections of themselves in the history of Western Civilization.Call Number: N6537.C48 D56 2014
Websites
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Women in the Visual Arts from Oxford Art Online
Includes essays and biographies
Online Articles
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Baltimore Museum of Art will only buy women's art in 2020
CNN Style, December 1, 2019 -
Women in the Arts
Baltimore Style -
Female Artists are (Finally) Getting Their Turn
New York Times, March 29, 2016
Streaming Video
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Frida Kahlo: Portrait of an ArtistThe works of Frida Kahlo, one of the 20th century’s most prominent artists, are included in museums and private collections the world over. This documentary incorporates archival material, readings from journals and letters, and interviews with friends and scholars to retrace the life and work of one of Mexico’s most highly recognized painters. (Spanish with English subtitles, 28 minutes)
Online From CCBC Libraries
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Women Artists on the Leading Edge by How do students develop a personal style from their instruction in a visual arts program? Women Artists on the Leading Edge explores this question as it describes the emergence of an important group of young women artists from an innovative post-war visual arts program at Douglass College. The women who studied with avant-garde artists at Douglas were among the first students in the nation to be introduced to performance art, conceptual art, Fluxus, and Pop Art. These young artists were among the first to experience new approaches to artmaking that rejected the predominant style of the 1950s: Abstract Expressionism. The New Art espoused by faculty including Robert Watts, Allan Kaprow, Roy Lichtenstein, Geoffrey Hendricks, and others advocated that art should be based on everyday life. The phrase "anything can be art" was frequently repeated in the creation of Happenings, multi-media installations, and video art. Experimental approaches to methods of creation using a remarkable range of materials were investigated by these young women. Interdisciplinary aspects of the Douglass curriculum became the basis for performances, videos, photography, and constructions. Sculpture was created using new technologies and industrial materials. The Douglass women artists included in this book were among the first to implement the message and direction of their instructors. Ultimately, the artistic careers of these young women have reflected the successful interaction of students with a cutting-edge faculty. From this BA and MFA program in the Visual Arts emerged women such as Alice Aycock. Rita Myers, Joan Snyder, Mimi Smith, and Jackie Winsor, who went on to become lifelong innovators. Camaraderie was important among the Douglass art students, and many continue to be instructors within a close circle of associates from their college years. Even before the inception of the women's art movement of the 1970s, these women students were encouraged to pursue professional careers, and to remain independent in their approach to making art. The message of the New Art was to relate one's art production to life itself and to personal experiences. From these directions emerged a "proto-feminist" art of great originality identified with women's issues. The legacy of these artists can be found in radical changes in art instruction since the 1950s, the promotion of non-hierarchical approaches to media, and acceptance of conceptual art as a viable art form.Publication Date: 2019 -
Girls and Their Comics by In America, comics and comic books have often been associated with adolescent male fantasy--muscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence. In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States. Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.Publication Date: 2013 -
The Torchbearers by "Blair's meticulous research has produced a complex work that is both encyclopedic and lively." --The Journal of American History "With its valuable bibliography, this book should be an essential purchase for most libraries." --Choice "With its detailed examination of both local and national organizations, this volume is a valuable addition both to the growing literature on women's associations and to the development of nonprofit enterprise in the arts." --ARNOVA News "... Blair's insistence on the significance of her subject and her skillfully researched treatment of it is welcome and useful." --American Historical Review "Readers interested in women's history, American cultural hsitory, and popular culture should all enjoy this book." --Illinois Historical Journal "An indispensible overview of women's cultural activities in promoting and popularizing a wide variety of cultural enterprises, from music to artists' colonies." --Kathleen D. McCarthy The women's arts clubs that flourished during the Progressive Era were more than havens for artistic dilettantes. As advocacy groups they effectively promoted universal access to the fine arts, leaving a vital legacy of cultural programs and institutions.Publication Date: 1994
Databases
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GenderWatchArticles about gender issues.
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Art Full TextArticles about fine, decorative, and commercial visual art as well as photography, film, and design.
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Arts & Humanities DatabaseArticles on arts like visual arts, architecture, design, music, literature, and theatre,
and humanities like history, philosophy, and cultural studies. -
ProQuest CentralArticles on any subject. This is a good place to start.
