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World Music: a Global Journey by Andrew Shahriari; Terry E. MillerWorld Music: A Global Journey, Fourth Edition takes students around the world to experience the diversity of musical expression and cultural traditions. It is known for its breadth in surveying the world's major cultures in a systematic study of world music within a strong pedagogical framework. As one would prepare for any journey, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple "sites" within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experiential "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Fourth Edition features: New sites! Plena from Puerto Rico Chuida from China Gagaku from Japan has returned from the Second Edition New "Inside Look" features spotlight distinguished ethnomusicologists such as Dr. Terence Liu, K.S. Resni, Dr. Sumarsam, Dr. Mick Moloney, Walter Mahovlich, Natalie MacMaster, and Gilbert Velez Addition of DANCE, inseparable to musical expression in some cultures Updates as needed, resulting from various changes in culture, politics, and war New and revised test questions, new photos, and other revised resources The dynamic companion website hosts interactive listening guides plus many student and instructor resources. A set of three CDs is available, with over three hours of diverse music examples necessary to the study. PURCHASING OPTIONS Print Paperback Pack - Book and CD set: 9781138911277 Print Hardback Pack - Book and CD set: 9781138911284 Print Paperback - Book only: 9781138911314 Audio CD: 9781138697805 eBook Pack - eBook and mp3 file:9781315692791* *For eBook users, please email firstname.lastname@example.org with proof of purchase to obtain access to the mp3 audio compilation. An access code and instructions will be provided. (The mp3 audio compilation is not available for separate sale.)
Call Number: ML3545 .M54 2017
Music of the Peoples of the World by William AlvesListen to and appreciate music of different cultures with MUSIC OF THE PEOPLES OF THE WORLD, THIRD EDITION! Stunning illustrations help you to better understand the people, music, and instruments of the 11 musical cultures discussed. Active Listening Tools, available on CourseMate, enhance listening and understanding by allowing you to view instruments and cultural settings while you listen to musical excerpts.
Call Number: ML3545 .A482 2013
Folk Music: a Very Short Introduction by Mark SlobinFolk music: that must be Pete Seeger singing "This Land is My Land." But there's much more, across the world. This stimulating Very Short Introduction throws open the doors on a remarkably diverse musical genre, with a world-wide reach that goes far beyond America's shores to discuss folkmusic of every possible kind and in every corner of the globe. Written by award-winning ethnomusicologist Mark Slobin this is the first compact introduction to folk music that offers a truly global perspective. Slobin offers an extraordinarily generous portrait of folk music, one that embraces aRussian wedding near the Arctic Circle, a group song in a small rainforest village in Brazil, and an Uzbek dance tune in Afghanistan. He looks in detail at three poignant songs from three widely separated regions--northern Afghanistan, Jewish Eastern Europe, and the Anglo-American world--withmusical notation and lyrics included. He goes on to sketch out the turbulent times of folk music today and tomorrow, confronting new possibilities, frameworks, and challenges.
Call Number: ML3545 .S63 2011
The Garland Encyclopedia of World Music by Ruth M. Stone (Editor)Explores key themes in African music that have emerged in recent years-a subject usually neglected in country-by-country coverage emphasizes the contexts of musical performance-unlike studies that offer static interpretations isolated from other performing traditions presents the fresh insights and analyses of musicologists and anthropologists of diverse national origins-African, Asian, European, and American Charts the flow and influence of music. The Encyclopedia also charts the musical interchanges that followed the movement of people and ideas across the continent, including: cross-regional musical influences throughout Africa * Islam and its effect on African music * spread of guitar music * Kru mariners of Liberia * Latin American influences on African music * musical interchanges in local contexts * crossovers between popular and traditional practices. Audio CD included. Also includes nine maps and 96 music examples.
Call Number: ML100 .G16 2002
Countries and Their Cultures by Melvin Ember and Carol R. Ember,A team of anthropologists and social scientists have taken a close look at more than 200 countries to document the myriad ways in which culture -- every bit as much as geographic borders -- defines and separates the nations of the world. Using a standard entry format for easy comparison, each country's shared values, behaviors and cultural variations are surveyed -- from foods and rituals to pastimes and arts. Lavishly illustrated with more than 1,000 photographs and more than 200 maps.
Introduced in conjunction with legendary singer Peter Gabriel, this program takes viewers to a stage outside London as it documents the work of artists appearing at the World of Music, Arts and Dance Festival (WOMAD) In addition to engaging and powerful on-stage numbers, the film captures intimate, behind-the-scenes moments with world music stars, tracing each performer's origins and artistic journey. Featured musicians include Dr. Hukwe and Charles Zawose from Bagamoyo, Tanzania; the musical troupe Spaccanapoli, from the streets of Naples, Italy; and many others.
Music Is Power by Brad SchreiberHonorable Mention, 2019 Foreword INDIES Awards - Performing Arts & Music Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley. Supplemental material (Artist and Title List): https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2020/07/24001955/Music_Is_Power_Supplementary_Artist_Title_List.doc
Publication Date: 2019-11-21
A Listen to World Music by Jennifer ReedWhat Kinds Of Music Are Made All Over The World? Learn About The Engaging Sounds From India And The Caribbean. Supports Emphasis On Increasing Steam (Science, Technology, Engineering, Art, And Math) Content.
Publication Date: 2013-08-01
Music in Kenyan Christianity by Jean Ngoya KidulaThis sensitive study is a historical, cultural, and musical exploration of Christian religious music among the Logooli of Western Kenya. It describes how new musical styles developed through contact with popular radio and other media from abroad and became markers of the Logooli identity and culture. Jean Ngoya Kidula narrates this history of a community through music and religious expression in local, national, and global settings. The book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Publication Date: 2013-09-11
Migrating Music by Jason Toynbee (Editor); Byron Dueck (Editor)Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on 'world music' questions the apparently world-disclosing nature of this genre - but says relatively little about migration and mobility - diaspora studies have much to say about the latter, yet little about the significance of music. In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals - and even exceeds - literature, film, and other language and image-based cultural forms. This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
Publication Date: 2011-04-28
Travel On and On by Deborah Alane Cunningham; Elisa Macedo DekaneyTravel On and On Interdisciplinary Lessons on the Music of World Cultures incorporates traditional and newly composed materials, as well as other content area resources, on the music of our global community. It is intended for use in general music classroom and each lesson has an interdisciplinary approach to teaching music.
Publication Date: 2010-12-16
Performing Ethnomusicology by Ted Solis (Editor)Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance--historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."--R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky, Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben
Publication Date: 2004-01-01
Western Music and Its Others by Georgina Born (Editor); David Hesmondhalgh (Editor)This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism's idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music's role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music.