Charles Eastman
On the Shelf at CCBC Libraries
Living in Two Worlds by
The importance of Eastman's life story was reiterated for a new generation when the 2007 HBO film entitled Bury My Heart at Wounded Knee used Eastman, played by Adam Beach, as its leading hero. This book presents an account of the American Indian experience as seen through the eyes of the author.
Call Number: E99.S22 E1844 2010
The Essential Charles Eastman (Ohiyesa) by
"This revised and updated edition combines the most important writings of Charles Eastman (Ohiyesa), who was the first American Indian medical doctor (the physician at Wounded Knee) as well as the co-founder of the Boy Scouts of America. Born in 1858, his writings are unique because he was the only great American Indian author who was actually raised to young adulthood in the traditional nomadic life of the pre-reservation era. At the 1933 World's Fair, he was presented with a special medal honoring the most distinguished achievements by an American Indian."--BOOK JACKET.
Call Number: E98.R3 E147 2007
Websites
- Charles Alexander Eastman – Sioux Doctor, Author & Reformer
from Legends of America
Native Americans in Popular Culture
Online from CCBC Libraries
Indians on Display by
Even as their nations and cultures were being destroyed by colonial expansion across the continent, American Indians became a form of entertainment, sometimes dangerous and violent, sometimes primitive and noble. Creating a fictional wild west, entrepreneurs then exported it around the world. Exhibitions by George Catlin, paintings by Charles King, and Wild West shows by Buffalo Bill Cody were viewed by millions worldwide. Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how this version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience. He then calls for a rewriting of the history of the American west, one devoid of minstrelsy and racist pageantry, and honoring the contemporary cultural and artistic visions of people whose ancestors were shattered by American expansionism.
Publication Date: 2013
Imagining Geronimo by
His face has appeared on T-shirts, postage stamps, jigsaw puzzles, posters, and an Andy Warhol print. A celebrity and a tourist attraction who attended three World's Fairs and rode in President Theodore Roosevelt's inaugural parade, he is a character in such classic westerns as Stagecoach and Broken Arrow. His name was used in the daring military operation that killed Osama bin Laden in 2011, and rumors about the location of his skull at a Yale University club have circulated for a century. These are just a few of the ways that the Apache shaman and war leader known to Anglo-Americans as Geronimo has remained alive in the mainstream American imagination and beyond. Clements's study samples the repertoire of Geronimo stories and examines Americans' changing sense of Geronimo in terms of traditional patterns--trickster, social bandit, patriot chief, sage elder, and culture hero. He looks at the ways in which Geronimo tried with mixed results to maintain control of his own image during more than twenty years in which he was a prisoner of war. Also examined are Geronimo's ostensible conversion to Christianity and his image in photography and literature.
Publication Date: 2013
On the Shelf at CCBC Libraries
American Indians and the Mass Media by
Mention "American Indian," and the first image that comes to most people's minds is likely to be a figment of the American mass media: A war-bonneted chief. The Land O' Lakes maiden. Most American Indians in the twenty-first century live in urban areas, so why do the mass media still rely on Indian imagery stuck in the eighteenth and nineteenth centuries? How can more accurate views of contemporary Indian cultures replace such stereotypes? These and similar questions ground the essays collected in American Indians and the Mass Media, which explores Native experience and the mainstream media's impact on American Indian histories, cultures, and communities. Chronicling milestones in the relationship between Indians and the media, some of the chapters employ a historical perspective, and others focus on contemporary practices and new technologies. All foreground American Indian perspectives missing in other books on mass communication. The historical studies examine treatment of Indians in America's first newspaper, published in seventeenth-century Boston, and in early Cherokee newspapers; Life magazine's depictions of Indians, including the famous photograph of Ira Hayes raising the flag at Iwo Jima; and the syndicated feature stories of Elmo Scott Watson. Among the chapters on more contemporary issues, one discusses campaigns to change offensive place-names and sports team mascots, and another looks at recent movies such as Smoke Signals and television programs that are gradually overturning the "movie Indian" stereotypes of the twentieth century. Particularly valuable are the essays highlighting authentic tribal voices in current and future media. Mark Trahant chronicles the formation of the Native American Journalists Association, perhaps the most important early Indian advocacy organization, which he helped found. As the contributions on new media point out, American Indians with access to a computer can tell their own stories--instantly to millions of people--making social networking and other Internet tools effective means for combating stereotypes. Including discussion questions for each essay and an extensive bibliography, American Indians and the Mass Media is a unique educational resource.
Call Number: P94.5.I53 A64 2012
The Native American Mascot Controversy by
Sports mascots have been a tradition for decades. Along with the usual lions and tigers, many schools are represented by Native American images. Once considered a benign practice, numerous studies have proved just the opposite: that the use of Native American mascots in educational institutions has perpetuated a shameful history of racial insensitivity. The Native American Mascot Controversy provides an overview of the issues that have been associated with this topic for the past 40 years. The book provides a comprehensive and critical account of the issues surrounding the controversy, explicating the importance of anti-Indian racism in education and how it might be challenged. A collection of important primary documents and an extensive list of resources for further study are also included. Expounding the dangers and damages associated with their continued use, The Native American Mascot Controversy is a useful guide for anyone with an interest in race relations.
Call Number: GV714.5 .N38 2015
Online Articles
- Report: Cleveland Indians changing name after 105 years
Associated Press, December 14, 2020 - Land O’Lakes Drops the Iconic Logo of an Indigenous Woman From Its Branding
Smithsonian, April 28, 2020
Streaming Video
- Ishi: the Last Yahi
In 1492, there were more than ten million Native Americans in North America. By 1910, their numbers had been reduced to fewer than 300,000. In California, massacres of Indians in the 1860s and 1870s had nearly exterminated the Native peoples in the state. Therefore the sudden appearance in northern California in 1911 of Ishi, "the last wild Indian in North America," stunned the nation. For more than 40 years, Ishi had lived in hiding with a tiny band of survivors. When he walked into the white man's world, he was the last Yahi Indian alive. For young anthropologist Alfred Kroeber, Ishi's appearance was a windfall. Kroeber had been searching for years to find "wild, uncontaminated Indians" who could document their traditional way of life. Through Kroeber's invitation, Ishi left a jail cell and lived out the remaining four years of his life as an informant and teacher at the Museum of Anthropology in San Francisco. Ishi dedicated those years to relating Yahi stories and demonstrating the traditional way of life he knew so well. His quiet dignity and remarkable lack of bitterness toward the people who had destroyed his tribe greatly impressed everyone who met him. Using Kroeber's meticulous notes and recordings taken at the time, the film provides a unique look at indigenous life in America before the arrival of Europeans. It features a compelling narration by Oscar-winning actress Linda Hunt and interweaves a lively mix of still photographs, archival film footage, dramatic readings of articles and letters by Ishi's contemporaries, and Kroeber's wax recordings of Ishi's voice. It also includes commentary by historians and anthropologists, an 89-year-old man who met Ishi, and Native Americans who discuss the meanings of Ishi’s songs and myths and the importance of Ishi's legacy today. Kroeber believed that American Indian cultures were destined to vanish, but Native Americans were to prove him wrong. Today, the Native American population has grown to more than two million, and Native peoples have demonstrated the same ability to adapt and determination to survive that Ishi exemplified. "Ishi" is essential viewing for a wide variety of classes in American history, Native American studies, ethnic studies, and anthropology. In all courses, the film will deepen students' appreciation of Native American traditions and impart a lasting impression of the troubled history of Indian-white relations. There are logical stopping points every 15 minutes to facilitate its educational use with younger students. "Ishi" was produced and directed by Jed Riffe and Pamela Roberts and written by Anne Makepeace. It is a Rattlesnake Productions Presentation. Major funding for the program was made possible by a grant from the National Endowment for the Humanities.
Ishi
On the Shelf at CCBC Libraries
Ishi in Two Worlds by
OVER ONE MILLION COPIES SOLD The life story of Ishi, the Yahi Indian, lone survivor of a doomed tribe, is unique in the annals of North American anthropology. For more than forty years, Theodora Kroeber's biography has been sharing this tragic and absorbing drama with readers all over the world. Ishi stumbled into the twentieth century on the morning of August 29, 1911, when, desperate with hunger and with terror of the white murderers of his family, he was found in the corral of a slaughter house near Oroville, California. Finally identified as an Indian by an anthropologist, Ishi was brought to San Francisco by Professor T. T. Waterman and lived there the rest of his life under the care and protection of Alfred Kroeber and the staff of the University of California's Museum of Anthropology.
Call Number: E90 .I8 K7 1989
Online from CCBC Libraries
Wild Men by
When Ishi, "the last wild Indian," came out of hiding in August of 1911, he was quickly whisked away by train to San Francisco to meet Alfred Kroeber, one of the fathers of American anthropology. When Kroeber and Ishi came face to face, it was a momentous event, not only for each man, but forthe cultures they represented. Each stood on the brink: one was in danger of losing something vital while the other was in danger of disappearing altogether.Ishi was a survivor, and viewed the bright lights of the big city with a mixture of awe and bemusement. What surprised everyone is how handily he adapted himself to the modern city while maintaining his sense of self and his culture. He and his people had ingeniously used everything they could gettheir hands on from whites to survive in hiding, and now Ishi was doing the same in San Francisco. The wild man was in fact doubly civilized -- he had his own culture, and he opened himself up to that of modern America. Kroeber was professionally trained to document Ishi's culture, his civilization.What he didn't count on was how deeply working with the man would lead him to question his own profession and his civilization -- how it would rekindle a wildness of his own.Though Ishi's story has been told before in film and fiction, Wild Men is the first book to focus on the depth of Ishi and Kroeber's friendship and to explore what their intertwined stories tell us about Indian survival in modern America and about America's fascination with the wild even as it wasbecoming ever-more urban and modern. Wild Men is about two individuals and two worlds intimately brought together in ways that turned out to be at once inspiring and tragic. Each man stood looking at the other from the opposite edge of a chasm: they reached out in the hope of keeping the other fromfalling in.
Publication Date: 2010
Articles
- March 25, 1916: Ishi Dies, a World Ends
Wired, March 25, 2011
Databases
- ProQuest Central This link opens in a new window
Articles on any subject. This is a good place to start.
- U.S. History This link opens in a new window
Articles, essays, and primary sources on the history of the United States.
E. Pauline Johnson
Articles
- Pauline Johnson (Tekahionwake)
from The Canadian Encyclopedia - Johnson, Emily Pauline
from the Dictionary of Canadian Biography
The Age of Discovery
Online from CCBC Libraries
The Great Encounter: Native Peoples and European Settlers in the Americas, 1492-1800 by
Traditional histories of North and South America often leave the impression that Native American peoples had little impact on the colonies and empires established by Europeans after 1492. This groundbreaking study, which spans more than 300 years, demonstrates the agency of indigenous peoples in forging their own history and that of the Western Hemisphere. By putting the story of the indigenous peoples and their encounters with Europeans at the center, a new history of the "New World" emerges in which the Native Americans become vibrant and vitally important components of the British, French, Spanish, and Portuguese empires. In fact, their presence was the single most important factor in the development of the colonial world. By discussing the "great encounter" of peoples and cultures, this book provides a valuable, new perspective on the history of the Americas.
Publication Date: 2016
On the Shelf at CCBC Libraries
Facing East from Indian Country by
In the beginning, North America was Indian country. But only in the beginning. After the opening act of the great national drama, Native Americans yielded to the westward rush of European settlers. Or so the story usually goes. Yet, for three centuries after Columbus, Native people controlled most of eastern North America and profoundly shaped its destiny. In Facing East from Indian Country, Daniel K. Richter keeps Native people center-stage throughout the story of the origins of the United States. Viewed from Indian country, the sixteenth century was an era in which Native people discovered Europeans and struggled to make sense of a new world. Well into the seventeenth century, the most profound challenges to Indian life came less from the arrival of a relative handful of European colonists than from the biological, economic, and environmental forces the newcomers unleashed. Drawing upon their own traditions, Indian communities reinvented themselves and carved out a place in a world dominated by transatlantic European empires. In 1776, however, when some of Britain's colonists rebelled against that imperial world, they overturned the system that had made Euro-American and Native coexistence possible. Eastern North America only ceased to be an Indian country because the revolutionaries denied the continent's first peoples a place in the nation they were creating. In rediscovering early America as Indian country, Richter employs the historian's craft to challenge cherished assumptions about times and places we thought we knew well, revealing Native American experiences at the core of the nation's birth and identity.
Call Number: E98.F39 R53 2003
Contemporary Reports on Native Americans
Online from Project Gutenberg
On the Shelf at CCBC Libraries
North American Indians by
From 1831 to 1837, George Catlin traveled extensively among the native peoples of North America--from the Muskogee and Miccosukee Creeks of the Southeast to the Lakota, Mandan, and Pawnee of the West, and from the Winnebagos and Menominees of the North to the Comanches of eastern Texas. Studying their habits, customs, and modes of life, he made copious notes and numerous sketches of ceremonies, buffalo hunts, symbols, and totems. Catlin's unprecedented fieldwork culminated in more than five hundred oil paintings and his now-legendary journals, which, as Peter Matthiessen writes in his introduction, "taken together... constitute the first, last, and only 'complete' record of the Plains Indians ever made at the height of their splendid culture, so soon destroyed by traders' liquor and disease, rapine and bayonets." A one-volume edition of Catlin's journals Illustrated with more than fifty reproductions of Catlin's incomparable paintings
Call Number: E77 .C415 2004
