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Mexican-American life, like that of nearly every contemporary community, has been extensively photographed. Yet there is surprisingly little scholarship on Chicano photography. Picturing the Barrio presents the first book-length examination on the topic. David William Foster analyzes the imagery of ten distinctive artists who offer a range of approaches to portraying Chicano life. The production of each artist is examined as an ideological interpretation of how Chicano experience is constructed and interpreted through the medium of photography, in sites ranging from the traditional barrio to large metropolitan societies.
A highly-anticipated volume that elucidates Marisol's artistic evolution and reestablishes her as a major figure in postwar American art The Paris-born, Venezuelan artist Marisol (b. 1930) burst onto the 1960s New York art scene with large figural sculptures in a wild amalgam of mixed media. Often satirical, Marisol's art is inspired by sources as diverse as Pre-Columbian art, folk art, Cubism, and Surrealism. For the past several decades, however, Marisol has shunned the spotlight and her artwork has been overlooked as a result.